Primarily 18th-century imprints, (including 5 odd volumes), notably these complete works: Louis-Antoine Caraccioli, LE TABLEAU DE LA MORT (Avignon: Chambeau, 1761) small 8vo, full speckled sheep, of the period, with marbled endpapers; Pere Cheminais, SENTIMENS DE PIETE, Nouvelle Edition (Paris: Josse and Delespine, 1738) 16mo., full sheep, of the period; and Thomas a Kempis, DE IMITATIONE CHRISTI, LIBRI QUATUOR. Nova Editio (Paris: Desaint, 1776) 24mo, full speckled sheep, marbled endpapers, of the period, the binding with considerable wear.